CHAPTER 5 READING

CLARIFYING COMPLEXITY

INTRODUCTION:
Complexity in design can either capture a viewer’s attention or cause a viewer to avoid it.
Complex subjects are becoming increasingly prevalent.
Objective Complexity refers to the properties inherent in a system, information, or task.
Subjective Complexity is based on individual perception and relates to a person’s relevant skills, knowledge, and abilities.

Explaining Complex Concepts:
Complex concepts are information rich.
The challenge for visual communicators is to provide a full and complete graphical explanation while accommodating the limits and strengths of the human cognitive architecture.

Cognition & Complexity:
Complex explanation places a great demand on working memory, the more informational components, the grater the cognitive load.
Mental models and schemas are our mind’s representation of how different aspects of the world operate.
Coherency: the consistent logic that makes an explanation meaningful and involve understanding cause and effect or the steps of a process.
Providing Context: in a visual explanation, such as showing a big picture view, goes a long way in helping the viewer understand a concept.

Applying the Principle:
1. Organize information into smaller chunks.
            Visual components getting progressively more complex
            Complex into smaller steps
            Divided into frames and animated
2. Expose parts and components that are usually concealed.
            Cutaways and cross sections
            Pictorial devices to show movement.        
3. Reveal Inherent structure of the information.
            Which conveys it’s organizing principle.
            Intuitive understanding of how information is ordered.
Success depends on visual techniques meeting the goal for which the graphic is created and accommodate prior knowledge.

SEGMENTS AND SEQUENCES
Organize a sequence with a beginning, middle, and end.
Complicated information is too hard to understand when not broken up into pieces.
When broken up into segments it is easier for people to store in long-term memory.
Segmenting:
            Provide context-Depicting the big-picture view
            Introducing overriding concept at beginning
            Provide continuity and sequence
            Slowly build on previous concepts

SPECIALIZED VIEWS
Revealing what is physically hidden and depicting unobservable phenomena through special forms of representations and pictorial devices are effective ways to portray complex systems.

Structural information can be shown with cutaways, magnifications, and other interior or views.
Clarifying rather than simplifying complexity is most effective.

Cutaways, cross sections, and transparent views: remove one fourth of the surface, or make outside transparent.

Exploded Views: for machine, architectural structure, or organism with hidden parts
They show the components of an object in their correct arrangement and usually eliminate any type of occlusion.

Magnification: portray a level of detail that offers a fine tuned perception of an object. Works well with devices or systems and gives viewer a holistic view before they dive into the details.

Implied Motion: Representing motion is important for explaining, workings of a machine, assembly of a product, human movement, and the dynamics of unseen forces.
Techniques for creating a mental impression of movement: motion lines, stroboscopic movement, action arrows, and motion blur.

INHERENT STRUCTURE
Visual communication depends on structure and viewers rely on it as a feature that conveys the nature of a graphic.
A design acquires its form and meaning from the relationships on which it is based.
Find the conceptual basis of the graphic’s meaning and express this through visual language.
LATCH: Location- Alphabet- Time- Category –Hierarchy